Brick Road Poetry Press

poetry made to entertain, amuse, and edify

The mission of Brick Road Poetry Press is to publish and promote poetry that entertains, amuses, edifies, and surprises a wide audience of appreciative readers.  We are not qualified to judge who deserves to be published, so we concentrate on publishing what we enjoy. Our preference is for poetry geared toward dramatizing the human experience in language rich with sensory image and metaphor, recognizing that poetry can be, at one and the same time, both familiar as the perspiration of daily labor and as outrageous as a carnival sideshow.

Poetry by Jennifer brown from

natural violence

 

Order it here!

 

About Jennifer Brown

Villanelle for the Real World with a Line from Voltaire


Remember that all the known world is governed by books,

said Voltaire. The unknown, too, like the wastes

beyond your gates, takes shape as you look


up from the page. That dead land, darkened by rooks,

seethes with meaning, now that your mind has raced

to remember all the known world. Governed by books,


you’re prone to gaze out the window as the talk crooks

its way round the room. Your mind, like a horse, makes haste

beyond the gates, takes shape as you. Look,


you can barely tell who you are until time hooks

your flesh. The mind, always flying, is braced

to remember. All the known world is governed. By books


we are stolen away, set trembling, shook,

dispatched to borderless regions none has traced.

Beyond, the gates take shape. As you look,


the wild overtakes the known. This is all it took

to claim you once, child by wild embraced.

Remember that. All the known world’s governed by books.

Beyond the gates, desire takes shape. You look.



Primary School


The hardening runnels of sap I pressed my fingers in

as a child—only a child looks at pines so closely,

the way she watches the clear sap

leak from her scraped shin after blood stops

& wonders if this is how she will leave her body,

this little by little.


The child learns the words to songs—sings

untuned before sleep. Her brother chants

& rocks & falls asleep, sheet-wrapped & hot.

She likes to sing & feel her throat clench—

If you miss the train I’m on, you will know that I have gone…

She lies awake.


Once upon a time, words brought her sorrow—



Pyrite & Mica


For my brother


Summers, we camped near gem shows

booked in cheap hotels—blue or black velveted

tables of agate chessboards, malachite in trays,

an onyx menagerie we coveted. By an emptied mine,

crystals sharp as the name our father gave us


to call them: pyrite, two confident syllables,

mastery over those winking dice—a fortune

in foundering hope, common name: fool’s gold.

A pretty fantasy, until a test of hardness

& weight: then, brilliance had to be enough,


true metal untwinned from its image—

what could be enough to satisfy? We wanted

pockets full to rub our fingers on, to hold

all the way home in the new light of the words

we’d learned—aventurine. Rhodochrosite.


Rutilated quartz. The facts: snowflake obsidian

is volcanic glass. Semi-precious. We scuffed

around the empty hard clay lot next door,

unearthing rocks & bursting them,

thinking iron makes the clay this rusted red.


There, limestone lay in dull beads: shell & bone.

Sometimes, a chunk of quartz, dirt-white like teeth,

or, silvered opaque, a slab of mica, or granite

sequined with it. Fooled—we’d flake its layers,

watch it drift & cling to us like fish-scales,


peel papery, doll-sized windowpanes

to hold to our eyes, grayed monocles.

Poor transparency, call it isinglass, or shelter,

or portal, let its pigment be tint against glare

& dismantle mirages rising on the hot street.


Let it turn solid. Mineral. Its sudden beauty,

fraying crumbled edges. We’d gather

what we’d need to build small cities,

twinned, separate: selves we hadn’t given

to words. Mica could double as glass & shone


like silver. What didn’t fail us? Brilliance lasted

as long as light was a single thing touching down,

was rough & silvered in our hands,

let them make what they could, let them grow

strange to each other as each cell’d repeat itself,


double helices doubling & wrenched apart,

the membranes translucent, permeable, distinct,

defining. Replication. Division.

What we are now, we were then. We wanted

to rescue each other, builders of forms.


We knew the saw that cut rock would not cut skin.

But there were some names we’d never know, dark

shapes that rose in the dark of our eyes

in sleep. Solder & flux. In time, even

trees would turn to stone, what we trusted.



Beginning Geography


In another room, parents’ voices.

Syllables crowd & steamroll one another,

the murmur like distant construction

or demolition, edifice or vacant lot.


On the page before me, a list

of capital cities, lakes & rivers,

birds & flowers. Maps in pastel colors.

All the wonder of the world translated,


packed for my daily travels. The book,

with its fragrance of tedious wisdom,

lies open & shut at once. Open or

shut, the door to this room, as to each


room in the house, is barricade & freeway.

Inside & outside are its subjects.

Inside & outside, the citizens

claim what they can for themselves.



Into the Woods


Under a tarp strung clear across dewy,

heavy air, we sleep communal

on crackling plastic in the dark acres

behind the lake. There is singing


by guitar & spider-hunt by flashlight

held to the forehead, a way to leave

the fire & hold hands with someone

a few charged moments. Then back,


no secrets showing. We think it’s chance

the way the cabins are paired, this boys’

with that girls’, not the counselors’ design,

who together sleep by the fire, away


from their charges. In the first quiet

of lying down, some girl tells the story:

entire camping groups missing in the woods,

or maybe one girl at a time, maybe only


those who strayed alone too far into the trees.

The last ones to fall asleep hear a carnival

of sound, amplified with every cracking twig,

every rhythm that must, we fear, be footfalls.


Daddy-Long-Legs tickles us like night’s fingers.

Soon, someone wakes with a kick, sits up, touched

on her face or hair. We’re 12, 13, 14.

We hear something’s there before we can name it.

Badlands & Canyon


From old Route 66 in Arizona,

neon diners release us to this:

Triassic floodplain, desert basin. Rock

trees litter these bitten dunes; under them


sleep stone dragons. Roped-off rooms of a pueblo

in ruins are backdrops for family

photos—Smile! Once, we read, a swollen river

tore trees from roots, washed them north to strange land,


scoured ripe earth clean & painted it iron

& manganese, reds, yellows, indigos,

black, carbon-gray. On vertical faces,

glyphs of a language we cannot decode—


still, we argue over meanings as if

rightness won loyalty, as if knowing

were a trophy. Archaeology loves

its trowels & calipers, its screens,


augurs, & scales. Spruce & palm, an agate

forest lies cracked to the sun like fruit,

Aladdin’s jewel-garden at my feet.

If I fill my hands & pockets, am I


a thief or lover? At an overlook,

my brother beside me, my mother

& father, so small—I can almost reach

them, each alone in a desert, descending



between canyon walls, finding river’s green,

its chanted story dreamlike & rife.

This is birth—each of us into silence

that locks the canyon to a sky distant,


flecked with hawks. We climb bald, shifting dunes,

shadows like ciphers spelling ourselves


to ourselves in the ruins before us.