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Written in the form of memoir or an old time shipping log, Pain Diary: Working Methadone & The Life & Times of the Man Sawed in Half can be viewed as two free-flowing stream of consciousness confessional poems.  Both are set in sea-faring locations:  New Bedford, home of Herman Melville and birthplace of Moby Dick; and Plymouth, where the Pilgrims came to settle and try to coexist with the Indian tribes of Massachusetts. 

“Working Methadone,” begins evocatively with a section entitled “Call Me Ishmael.  I Mean…Call Me, Ishmael!” and is set in a methadone clinic directly across from the Moby Dick Marina.  A group home for adolescents provides the background for “The Life & Times of the Man Sawed in Half.”  In both, Joseph Reich, poet and social worker, explores his work experience with the “chemically dependent,” the alienated and ostracized, and integrates it with his own unique voice and perspective.

Influenced by and echoing such wide-ranging and eclectic sources as Proust, Hemingway, Whitman, E.E. Cummings, Jack Kerouac, Plath, Nietzsche, Camus, Sartre, Dostoevsky, and Jim Morrison, among many others,  Reich’s style and point of view rises out of his own years on the road when, as Bob Dylan put it, “the only thing I knew how to do was to keep on keeping on,” which included such jobs as cab driver, grave digger, roofer, long-haul trucker, and, “for a bit of a time, hustling the streets in the black market of San Francisco.”  

While “Pain Diary” is a clinical term for the log kept by patients and clients to detail the moments when they feel most desperate and in crisis, the term is also an excellent descriptive for this one-of-a-kind poetry that seems to spring out of raw emotion in language that is, at one and the same time, natural, spontaneous and desperate.